Month: July 2021

  • My dear Resistance

    The Resistance is strong today.
    It wants me not to make my art.
    It tells me no one really cares,
    So why show them my fragile heart?

    Some wish for my failure, and
    Others think I have lost my mind.
    And when I know I am a fraud,
    Will the others be far behind?

    Why waste such a lovely morning,
    Why not just sit and meditate?
    Why bother with this useless craft
    In which my days just dissipate?

    Can’t I see the signs, it asks me,
    The ink is dry and paper wet,
    With power gone throughout the night,
    There’s no device, no internet.

    Head is splitting from sleeplessness,
    The cold is pricking up the gout,
    And say these signs had not been there,
    What will I even write about?

    I smile at my dear Resistance,
    And it frowns for a bit, before…
    “Oh no, no no, You better not!
    It’s not funny at all, señor!”

  • Krutya

    From where I am, there is a tale
    Of Krutya, the great architect.
    He left his pregnant wife behind
    When the king called him to inspect
    The capital temple, with its cracks,
    That threatened to fall on his head
    And if it was beyond repair,
    To build a new one in its stead.

    Krutya, knowing no fame there was
    In repairing a temple old,
    Showed the king a grand design:
    A temple made of marble, gold.
    The king, knowing no fame there was
    In repairing a temple cracked,
    Handed him the keys to where
    Marble and the gold were stacked.

    In seven years and seven months,
    The temple stood shining new.
    The king, so happy, granted him
    Titles, land, and a mansion too.
    Happy, Krutya called his wife:
    “Come here and see how grand it looks
    It’ll stand so centuries to come
    And make me part of history books.”
    Overjoyed to hear from him,
    A-running to Husband she came.
    With her had come their little son
    Abhikrutya had been his name.

    When she went for a simple bath,
    The father sat beside the son,
    And asked him, “Do you know your Dad?”
    The son said, “Yes, you’re not the one.”
    “Then who is it?” he asked enraged.
    “He comes each night,” said the son.
    “He sleeps when Mother sleeps at night
    And goes out later with the sun.”

    Krutya stood waiting, spear in hand,
    When the wife came out, scent in hair.
    And as she lay down motionless,
    The son, pointing, shouted, “There!
    “That’s my father who lies with her.”
    The child said of the shadow cast.
    “He’s ever there with us, together.”
    Krutya stood shivering, aghast.
    When the village had asked the son
    “Who is your father? Where is he?”
    His mother had shown him the wall
    “He’s with us, son, don’t you see?”

    That night, Krutya, went to his God,
    Sitting in the cracked temple old.
    Driving his spear into a spot,
    He waited till the rocks had rolled.
    The king, hearing this tragedy,
    Took Abhikrutya as his scribe.
    Thus, in history, Krutya comes:
    A murderer of his wife.

  • Valar Morghulis

    Though I’m no stranger to deaths these days,
    Though this year alone I’ve lost so many,
    My mind goes into a darkened maze,
    The moment I come to know of any
    Demises of people I used to know,
    Of people with whom I have spent some time,
    Of the little ones who were yet to grow,
    And the grown ones who were in their prime.

    “Valar Morghulis,” I have often heard,
    “Memento Mori,” as the Stoics said.
    I often repeat Lord Krishna’s word:
    “Don’t cherish the living, don’t mourn the dead.”
    And yet the sight of a person hanging,
    The quiet violence of a suicide,
    Had the bells inside my temples clanging;
    I stood there stricken and dewy-eyed.

    What is the trigger that provoked me so?
    Is it things I try to forget but can’t?
    “Suicide runs in the family, you know,”
    Frivolous words of a garrulous aunt?
    Is it that pictured newspaper clipping
    Of Grandpa hanging from a banyan tree?
    Or Uncle’s letter, with creases ripping,
    Penned while poppies set him free?

    No matter! No more of my sanity
    Can I spare for this tumult inside.
    Despair, like hope, is a vanity
    To indulge in either, a sin of pride.
    No point in dwelling in this darkness deep,
    No point in spending this moment in fright.
    I am grateful for every night I sleep.
    I am grateful for every day I write.

  • Through the Block

    When the page stays empty
    Despite the mind being full,
    Don’t push the mind too hard,
    But use the page to pull.

    Removing all structure,
    Form and meter and theme,
    Prepare the page for flood
    And make your pen a stream.
    Every errant feeling,
    Every truant thought,
    Write them down; don’t worry
    If sense they make or not.

    At first, you may be stiff:
    Mind at odds with body.
    Your words will feel leaden
    Your lines will feel shoddy.
    You’ll get your spellings wrong,
    Forget your grammar rules.
    Ideas will eddy,
    And whirl down into pools.

    Or your hand will struggle
    To match the speed of mind
    You’ll keep finding much that
    You have to leave behind.
    Yet, all you carry out
    Just seems to be more muck,
    Choking all the flow points,
    That could get you unstuck.

    A page in, you will feel
    How pointless all this is,
    And curse your muse for not
    Showing that face of his.
    You will want to give up,
    And guise it as a ‘break’,
    Although it is one that
    You have been forced to take.

    This moment is the key.
    Your action here will say
    If you can break through now
    Or be stuck for the day.

    So, don’t let your pen stop.
    It must keep flowing on.
    Till all the muck is pulled
    And all the chokes are gone.
    Beyond all the purging,
    Beyond all the scours,
    You will, after minutes
    Or maybe after hours,
    Feel your focus sharpen,
    Awareness clarify.
    Cloudy doubts will fade and
    Reveal a quiet sky.

    Your structure will come back
    Before you realise,
    Consciousness will boil,
    Ideas crystallize.
    Pick these gems by theme,
    Cut edges with your form,
    Set them in a meter,
    On strings of feelings warm.
    You have a poem now
    Where there were none at all.
    So, do this every time
    Your muse ignores your call.

  • Mother’s Bhakti

    Today, my ink is grey, not black.
    Perhaps it felt the cold seep in.
    The grey words seem a little dull.
    Perhaps they wanted to sleep in.

    Morning has quieted everything.
    Perhaps I’ll hear the needle drop,
    Were it to slip from Mother’s hand,
    ‘Tween the strides of the ticking clock.

    Her flowers look a brighter white;
    She is threading them for her God.
    Devotion, never wavering.
    Submission, filled in every thought.

    And here I sit, so distracted.
    So easily, I’m losing hope.
    Complaining of some dried ink,
    Lingering on a slipping slope.

    Mother, grinning, calls out to me,
    “See how pretty the garland is.”
    I go to take a closer look
    Only to find a lot amiss.

    Petals are curling up like hooks,
    Many are beaten by the rain.
    And yet, they look so beautiful,
    Their Dharma shining through their pain.

    And what is this that holds them so
    Resolute in their will to pray?
    Is it my mother’s Bhakti now?
    Yes, it surely seems that way.

    Perhaps, then, greying words can too
    Perform their Dharma, as they are,
    If I can pour some Bhakti more
    Beyond what I have poured so far.

  • A Rose and a Flame

    Again they’re out on stickered bikes:
    A rose on fearless Bullet, he;
    A flame on gearless Scooty, she.
    And they will park and disembark
    At every corner, every street.
    To sweep it, he. To wash it, she.
    No money charged, no bonus asked,
    The morning after Diwali.

    As he is sweeping, she is washing,
    We get to see a glimpse of why
    In marks of burning on his hands,
    In scars of burning on her face.
    Reminders both of mornings past,
    Of mornings twenty years ago,
    When he had sweeped into his hands
    Some cracker powder leftover,
    Unburned and strewn across the street
    To make a pot of Kumbh-Anaar
    To gift his sister crying loud
    Accusing him of breaking hers,
    The one that held her painted rose.

    Of course, he was no crackersmith.
    Of course, it burst up in her face.
    Of course, he cried as she had cried.
    Of course, he knew not what to do
    Except to take his guilty hands
    And burn them on a charcoal flame.

  • Horizons

    “Push your horizons,”
    My class teacher said
    In farewell after
    We graduated.
    “Don’t lose your head in
    Stacking up a score
    Beating each other,
    Till you’re blue and sore.
    Find your own mountain,
    Climb it at your pace.
    When no one’s watching,
    Why fear losing face?
    With each new height,
    You’ll slowly wisen,
    See how you have a
    Wider horizon.”

    As I didn’t like her,
    I didn’t heed her word.
    Proceeded, instead,
    To join a new herd.
    I stacked up a score,
    And always fell short,
    Saw the world around
    Crumple, distort.
    At last, when I knew
    I’ll lose my mind,
    I sought the horizon,
    Only to find
    It so close that I
    Felt suffocated.
    For many days thereon,
    Simply debated
    Whether any of this
    Had any Meaning
    And soon realised,
    Shit needed cleaning.

    On a whim, next month,
    During winter break,
    I went on a trip
    To a mountain lake.
    Thirteen thousand feet,
    Above sea level,
    Our camp chose to have
    A late-night revel.
    From where we’d camped,
    Few feet to the side,
    A viewpoint opened
    To a valley wide.
    The vista was large,
    The horizon far,
    The night-sky crystal
    With many a star.
    I sat there looking
    Into the moonlight,
    Hoping for a sign
    Or a small insight.
    I did feel free with
    All the space around.
    Eyes had perspective
    And the mind was sound.
    “This is what she meant
    All those years ago,”
    I thought as my tears
    Just started to flow.
    “If you could somehow
    Make your mind expand
    As large and wide as
    This stretch of land,
    You’d have more freedom
    To be the real you,
    And find some Meaning
    In whatever you do.”

    I let my mind then
    Adjust to the change,
    But soon enough, I
    Found a thing strange:
    Wider horizons
    Changed not just the land,
    I had not noticed
    The night-sky expand.
    “The higher you climb,
    The thinner the air,
    The easier then
    To locate the rare
    Stars that were hidden
    By gases and light,”
    My mind was shouting
    This divine insight.

    The insight gave birth
    To no neurons new.
    But stronger ties were
    Forged among a few
    That had been around
    For many years now
    Helping me discern
    The what, why, and how.
    While I say this with
    No authority,
    Some anonymous
    New maturity,
    Declaring itself
    To me, it revealed:
    “The mind is more than
    A widening field.
    It is, in fact, if
    Properly treated,
    Jigsaws awaiting
    To be completed.
    Ideas, as countless
    As luminous stars,
    Can be connected
    With enlightened bars,
    Forging so many
    Constellations new,
    Changing however
    You command them to.”

    Here was my Meaning,
    I marvelled with tears.
    “A worthy Journey,
    To be on for years.
    Always keep seeking
    For something to learn.
    Something that stirs you
    To wonder and yearn.
    Keep finding new stars,
    New dots to connect.
    Keep challenging your
    Current intellect.”

    Seven years since, and
    A few months ago,
    This insight came back
    Like a wake-up blow,
    As I sat _zazen_,
    Quieting my voices,
    Evaluating
    Some of my choices.
    I knew why I was
    In such a furore:
    I had been again
    Stacking up a score.
    I’d strayed so much
    I could no longer see
    The Journey that had
    Been revealed to me.
    I opened my eyes,
    I took up my pen,
    And again resolved
    To return, in Zen,
    To the Journey that,
    For me, holds Meaning,
    Where every step is
    A new beginning.

  • All the wrong reasons

    At ten, I was writing
    For all the right reasons.
    Out of love for the stars,
    Wonder for the seasons.
    In tiny words, often,
    Arranged in awkward lines.
    If you’d squint just enough
    You’d see they were rhymes.
    Some I’d show to Mummy,
    Her smile would light my day.
    Some I’d keep for my own
    Hidden safely away.

    At school, I was silent,
    Never had a voice.
    Drowned by the bustle
    Of those other boys.
    Notebooks were my haven,
    Didn’t beat me when I spoke.
    The ruled pages told me,
    I didn’t have to choke.
    And then a teacher said
    That I was writing well,
    That I should keep writing
    And break out of my shell.
    So, as I turned fourteen,
    I passed my poems around,
    To the satisfaction
    Of seeing them astound
    The same boys who’d beat me,
    Calling me retarded.
    Their envy made me feel
    Thoroughly rewarded.

    At fourteen, thus, I wrote
    For all the wrong reasons.
    Gone were the starry skies
    Gone the mango seasons.
    I wrote fire and brimstone
    And I wrote so I could
    Make the others jealous
    And make me feel good.
    I thought I’d be famous.
    I thought I’d be so rich
    I could lay with the girl
    Who I had called a b___.

    Soon I was afraid, though,
    Of who I had become.
    Pride took a Dumpty fall,
    When Karma came to hum.
    I knew not what it was
    When first the darkness struck
    Was this an Act of God
    Or just my shitty luck?
    Writing took a new role:
    It soon became my light
    At the top of the well
    And bottom of my plight.
    Heartbreaks and failures too
    Took their turns with me.
    So, writing then became
    My inner harmony.

    And now I wonder why
    I chose to make it more.
    To forge a “career”
    Out of my very core.
    Showing the world my heart,
    Showing where it pains,
    What will I accomplish
    And what will be my gains?
    At thirty, I’m writing
    For all the wrong reasons
    That change with my moods,
    That change with the seasons.
    Money, fame, and power?
    What does one do with those?
    They too shall pass before
    My life comes to close.
    And then there’s that motive
    That’s stayed with me throughout:
    A wish for living on
    After my time is out.
    What is this ambition?
    What arrogance at play:
    To think my words matter,
    To think they won’t decay.
    Often my obsession
    With this posterity
    Stands in the way of
    Sincere poetry.
    Did Jane Taylor know that
    Her simple lullaby,
    Will shine on Mozart’s tune
    “Above the world so high”?
    Or did A. A. Milne,
    That scribe of prophesy,
    Know that a teddy bear
    Will be his legacy?
    So, why bother thinking
    What work of mine will stay
    In the hands of readers
    After I pass away?

    Only thing that matters
    That I should take to heart:
    To always stay present
    And honest to my art.
    Writing is my Bhakti.
    My writing is my Tao.
    My writing is my Zen.
    It’s always here and now.

    It’s always here and now.

  • Urggh

    I’m still only a pampered kid.
    I throw a tantrum when I can’t
    Arise to challenges I face
    Or wrap my head around my fate.
    Amor fati, I say and write.
    Amor fati, I don’t enact.
    I was not present when today
    I was the most relied upon.
    I still keep thinking, “Why me, why?”
    I still keep complaining a lot.
    Is this not complaining as well?
    Is this the clarity I sought?

  • Armed

    One broom of reedy grasses,
    One broom of coconut hair,
    One broom of plastic bristles,
    One pan for the dust out there.

    One mop of braided cotton,
    One mop of raggedy jute,
    One mop of microfibres,
    One pail for the water too.

    One arms herself with these,
    Mom: Astabhuja Kali,
    Dusting down and cleaning up
    Our home for a Diwali.