Month: September 2021

  • Awakening

    It fell on a drop of dew
    To fall on me and break through
    The fog of rue I’d made home,
    Within which I’d roam and roam.

    The dew had dropped from a leaf
    That now was jumping in relief,
    Shrugging off the water weight,
    Which had seemed its rooted fate.

  • Half-half

    They dropped their plastic bat and ball
    And ran full-speed after the orphan kite
    Penduluming down the January sky,
    Threatening to fall into an open drain.
    One was six years old. The other, nine.
    Nine was naturally faster than Six,
    So he reached the kite first and caught it.
    He raised it above his head to one side
    Like the World Cup picture of Kapil Dev
    That his father had stuck to the mirror
    All those years before he was born.
    Six came panting and jumped up to grab,
    But Nine kept lifting it out of his reach.
    Then both stood still and laughed out
    The laughter that only kids can laugh.

    I caught it, said Nine. So, it’s mine.
    I saw it, said Six, and so, it’s mine.
    But I ran, Nine pointed out.
    After I pointed, Six ran at him.
    Okay-okay, said Nine. Half-half?
    How half-half? It will tear, no?
    I keep the kite. You keep the string.
    What? Not fair at all. It’s all mine.
    You get the string, or nothing at all.
    What? What will I do with the string?
    Here, let me show. Come come.
    Okay. I will hold the kite meanwhile.
    Nice try. Shut up and come with me.

    Nine cut the string from the kite
    And ran back to their bat and ball.
    He wound the string around the ball:
    Twice top-to-bottom, twice across,
    Twice top-to-bottom, twice across,
    And one last time, just to be safe.
    Tying the loose end back to the string,
    He hurled the ball over a branch
    Of the guava tree in the yard,
    And caught it again as it swung down.
    Then he let it pendulum and smiled.

    Cadet! Attention!
    Left, right, left. At ease!
    This is your training ball now.
    Nine gave the string a bit more slack
    Till the ball descended to Six’s waist,
    And tied the other end of the string
    Just once around the guava trunk.
    Attention! Take arms!
    Six took the plastic bat from Nine.
    Cadet! Right Turn! And hit for six!
    Cadet Six took his position,
    Took in a sharp breath and swung.
    Nine nodded at the arc made by the ball
    And said Six had lived up to his name.
    Cadet! Another Six! Higher this time!
    Cadet Six took his position again,
    Took in a sharp breath and swung.
    The ball went higher than before
    And came down faster than before
    And Six turned at the last moment
    So the ball crashed into his bum.
    Then both stood still and laughed out
    The laughter that only kids can laugh.

    Half-half, fair? Half-half, fair.

    Six is now Sixteen (plus GST)
    And still hits a leather ball
    Penduluming from the guava tree.
    He almost made it to the State team.
    Just miss. Or so he tells everyone.
    Nine decided against double-digits.
    He fell off the terrace flying his kite.

  • Chinaski Sinaski

    Pride

    Where once I said, “Wow”,
    I now say, “Gawdammit.”
    Another virgin metaphor
    Stolen from my future works.
    Reading depresses me.

    Power

    She says I make her cry –
    Louder than he ever managed –
    With my tongue and long fingers
    So used to reading aloud and writing.

    Prayer

    Thank God for Protection. It covers
    The riskiness of digging someone
    Else’s property without permit.

    Penance

    No longer do I part my hair.
    A man with an axe is loose.

    Peace

    Poetry sucks like a fallen pornstar.

  • Seats in a bookstore

    When I worked for a week
    As a salesman at a bookstore,
    I learned that it’s best to place
    The stools in the poetry section.

    One,
    It’s the lower half of the corner
    Between romances and cookbooks,
    Between fiction and non-fiction:
    A ‘tweener no one cares about.
    So, if it’s hidden behind a bent back
    No one really misses it.

    Two,
    This is the only way to get people
    To pass their eyes over the poetry,
    While they shift on the cushion
    Looking for that perfect comfort
    They know they won’t get here.

    Three,
    The product just doesn’t move.
    So, you don’t worry about reshelving.
    And you don’t stand awkwardly
    Waiting for the arthritic lady to get up,
    After her son comes, shakes his head,
    Says they should’ve ordered online.

    Four,
    You don’t really mind the kids
    Sticking their chewing gum
    Between two poetry books
    Where no one will find out.
    Poems are supposed to stick, right?

    Five,
    The manager doesn’t notice
    When you sit down to override
    The barcode and slip the book
    Into your bag and out of the shop.
    You always have time to return
    If your conscience is such a fattu.

    Six,
    You get to quote a verse or two
    To the curly cutie with glasses.
    And reach your arm across her
    To gently pull on a slender spine
    Just behind her right ear.

  • Two Sides

    He was focussed so fully on
    Zigzagging his aging Splendour,
    Charting a minesweeper route
    Through drying cow dung cakes,
    That he was fully blindsided when
    The black boar crashed into him.

    He fell to the left, bike on leg,
    And a crunch reached the rooftops
    Between screams of a shocked engine.
    The boar, lying, made no noise
    Except a laboured wheezing.

    They rushed to him, pulling him
    From under his dying Splendour,
    Lifting him to the side of the street,
    Propping him on someone’s steps,
    Wiping his unhelmeted, wetting hair,
    And checking for a pulse, if any.
    Someone ran a finger before his eyes,
    Declared he was conscious and okay,
    And proceeded to tap on the left leg
    Till his shout reached the rooftops.

    An old woman and her sons
    Rushed to the boar, pulling it
    To the other side of the street,
    Propping it on someone’s slide,
    Wiping away the foaming mouth
    And checking for a breath, if any.
    She ran her fingers on its hide,
    Declared it was conscious but not okay,
    And proceeded to shoot a finger out
    Till her shout reached the rooftops.

    “He killed my boar, my precious boar.
    He killed my means of livelihood.
    He might as well have killed me.
    He is a killer, good people. Killer.”

    Her elder son held her close to heart
    And shot his own finger at the crowd.
    “Don’t let him go till he pays for this.
    Don’t let him get away with this.”

    Too many shouts in too many tongues
    Then reached the rooftops on the street.
    Some this side, some that side,
    Some in the middle crying Reason.
    “It’s an accident,” said they.
    “He accidented it,” said a side.
    “It accidented him,” said the other.
    Broomsticks came to stomp on steps,
    Hempen ropes to slap the slides,
    And someone in their senses still
    Told the semi-senseless man
    To leave some cash on the steps
    And leave with him through a door
    To the back side of this street.
    “My bike?” he asked.
    “Your life?” he asked.
    “But…”
    “No time, no time.”
    So, while the broomsticks stomped
    And the hempen ropes slapped,
    The men slipped through a door
    And cash slipped through the crowd
    To the hands of the old woman.

    Now, when you stand on the rooftops
    You see the woman train her boars.
    “Good boy. Good boy. Run. Run.”
    And you see them butting straight
    Into the side of a dead Splendour.

  • Who?

    It worried me that day
    When he quoted again
    Something from my book
    And I asked, after nodding,

    “Who wrote that?”

    No, I wasn’t embarrassed
    That I’d forgotten my words.
    I was ashamed I had lost
    Touch with a beautiful me.

  • Christmas Morn

    Sweeping through the dust
    With a one-wheel open tray,
    O’er the streets she goes
    Coughing all the way.

    The bells on anklets ring
    Between her hollow strides
    Oh what drag it is to pick
    The garbage on the sides.

    Stinky smells, stinky smells
    Stinky all the way,
    Oh what fun it is for us:
    She takes them all away.

  • December Sunrise

    After a full night of silent sobs
    And an hour of pillowed bawling
    I pick myself up, pick up a tea,
    And climb up to our water tank,
    To sit and wait for the sun to rise.

    She stumbles out of her door,
    Her two-year-oldness bursting
    Out of her use-and-reuse diaper,
    And crackers a chain of farts.

    I almost roll down laughing,
    But stay arrested in the moment,
    When I see her beaming at me
    The best sunrise I’ve seen this year.

  • Birds of Prey

    The very cousins who coo
    To a still-unwedded me
    How a man is cursed for life
    Without a “proper lady”

    Also caw some hours later
    To my still-wedded brother
    How marriage is a full-time
    Occupational hazard

    They’re lucky I’m vegan now

  • Sticky Note

    It’s easy to sit in hospitals
    When no one you know is lying
    Inside a ward on an adjustable bed.
    It’s easier still to sit there still
    When no one you know is sitting
    Outside a ward, leaning against despair.

    You look at the slip in your hand,
    The seven-segment display above,
    And wait for the numbers to match.
    You thank God this isn’t a casino.
    Your number does come up.
    You do get to get up and go
    Towards that plexiglass counter
    Shielding a bored face from you
    And your Sunday-morning gloom.

    Case number, he asks. You slip him
    An orange sticky note under the glass.
    He doesn’t thank your thoughtfulness.
    He feels snubbed, robbed of power.
    No fun reading details from paper
    When he can ask you the numbers,
    Stop typing midway to crack a joke
    For the female colleague beside him,
    Laugh alone, look at you with regret
    And say, Sorry, could you repeat that?
    And you sigh and repeat the numbers
    And he repeats his jokes and laughs.
    Sorry, sorry. Very sorry. Nine, you said?

    You wonder, if surrounded by grief,
    This is his way to carpe diem.
    You sigh at your c’est la vie
    And wait while he complains
    About slow Wifi and fast food.
    He still does all this with the note,
    But at least you don’t keep repeating.
    Onions are eighty again, he says.
    You blink. Potatoes, fifty too.
    Family to feed, you know? You blink.
    He nods, sticks the note to his table,
    Drums his fingers next to it, frowns,
    Looks at you with regret. Sorry, sorry.
    Wifi’s down. System can’t process.
    Maybe you should come after lunch?
    No chai-breakfast for me anyway.
    With such prices. You understand, no?
    I mean, if insurance doesn’t process,
    You also have to deal with the reality.
    Even without. Even without. Sorry.

    He presses a button on his table.
    The number above doesn’t match
    The number on your slip anymore.
    You sigh and fish out your wallet.
    He raises a warning hand to stop
    The next person filing behind you.
    You pull a blue one-hundred note.
    He looks at you with regret. Sorry.
    You pull an orange two-hundred.
    He looks at you and nods. Laughs.
    You look at that laughter,
    Look at all the people around,
    Look at them leaning against despair,
    Look at your wallet’s inner lining,
    Look at your sticky note on his table,
    Look at the ink of an idea growing on it,
    Look at the two-hundred in your hand,
    Lower your mask, and lick the paper, full.
    You slip the new orange sticky note,
    Under the old transparent plexiglass,
    And offer your mobile’s 4G hotspot.